Sound of Destiny; Son de la Destinée: Son De La Destinee
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索引「D」115ページ目 - Weblio英和和英
Please indicate the name of the book and the author. I'll start " Le Rocher de Tanios - Amin Maalouf. Booyakasha Well-Known Member. J'essaie de vous enseigner comment on traite les erreurs de la vie. SeekNirvana Well-Known Member. Salome Active Member. From The Witch of Portobello : " It isn't what romantic songs tell us it is - love simply is.
No definitions. Love and don't ask too many questions. Just love.
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Frisbeetarian Well-Known Member. Story Of Civilizations Our Oriental Heritage "Nevertheless, there were difficulties in this care-lessness, and those organisms that outgrew it came to possess a serious advantage in the struggle for survival. The dog that buried the bone which even a canine appetite could not manage, the squirrel that gathered nuts for a later feast, the bees that filled the comb with honey, the ants that laid up stores for a rainy day-these were among the first creators of civilization.
It was they, or other subtle creatures like them, who taught our ancestors the art of providing for tomorrow out of the surplus of today, or of preparing for winter in summer's time of plenty. He rose while the boy slept and pulled on his shoes and wrapped in his blanked he walked out through the trees. He descended into a gryke in the stone and there he crouched coughing and he coughed for a long time. Then he just knelt in the ashes.
He raised his face to the paling day. Are you there? For Georges Didi-Huberman, degradation is one of the conditions conducive to the uprising. The imagination and the critical eye of the artist — a fervent supporter of the Enlightenment — can constitute a force of resistance and struggle for the oppressed.
The Revolution of led to the overthrow of the government of King Charles X. After the publication of several ordinances, including a restriction on freedom of the press, this episode, which failed to restore the Republic, The tricolor flag, abandoned by the Restoration for the benefit of the white flag, symbol of royalty.
These revolutionary days, also called the Three Glorious Days, are symbolically represented by three flags caught in the turmoil. The first, white, overhung by a menacing sky, is hoisted on a mast adorned with a fleur-de-lis. The second tears apart and reveals the blue sky as a promise of freedom.
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Finally, the third, torn and covered with blood, allows the reconstruction of the tricolor emblem created during the Revolution of Thus the blood poured during these days allows the people to reconnect with the revolutionary ideals. The unleashing of elements, a metaphor for the tempestuous popular revolt, accompanies the transformation of the banished flag of royalty to the national flag. It is a figure of his destiny, but also of the human condition.
He was interested in questioning the conventions of the world of art and considered photography as a means of expression. It explores all potentialities: experiments, diversions, portraits, advertising applications … The fixation of an element in movement constitutes one of the specificities of photography that fascinates the surrealists because the object thus grasped by the apparatus appears in an unexpected light: the linen which dries, inflated under the effect of the wind, becomes a moving sculpture as the title of the work suggests.
This way the title can guide the reception of the passionate photography of Man Ray. They were working in frames of artistic plain-air in Osieki near Koszalin organized there every year since But it was also parallel to actions of Western artists, which led to the birth of performance art.
In this important moment Kantor formulated a category of impossible. At the same time the very essence of the happening, as he was saying, was to make impossible real. How did he do it? By reenactment, repetition and documentation.
Dorota Sosnowska. Juan A. FNAC A plastic bag stands out on the azure sky and floats in the air. Difficult, considering the serenity that emanates from the photographs of this series, to imagine that they refer to a dramatic event: the attack of the World Trade Center. They carry neither sensationalism nor exaggerated patriotism, but rather invite reverie and meditation. By adopting this attitude to the antipodes of the media and political enthusiasm that follows September 11, Dennis Adams questions the relationship to temporality in the face of this type of event. On March 11, , a tsunami struck the Japanese coast and caused a nuclear accident at the Fukushima Daiichi plant.
The disastrous environmental and social consequences are still impossible to evaluate and the inhabitants, partly neglected by the public authorities, have to face an unprecedented crisis.
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Many of them have been displaced and most of their income from fishing is reduced to nothing because of the contamination of the ocean. Tsubasa Kato then decides to get involved with them by accompanying them daily in this difficult period. Becoming actors of destruction and no longer passive observers, participants can then transform the event undergone into action. This festival of culture, for Tsubasa Kato, is an opportunity to initiate a unifying artistic moment that testifies to the strength of collective movements and the mobilization necessary to reverse the course of events.
He will then reiterate this performance in other parts of the world, which are often subject to delicate social situations. Production : Jeu de Paume, Paris. From burden to uprising. Rising up is a gesture. It is a sign of hope and of resistance. It is a gesture and it is an emotion.
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Pioneer and adventurous, Germaine Krull is one of those women photographers of the inter-war period who contributed largely to the emergence of a nervous and dynamic photographic approach, in step with a modern world in constant acceleration. In photographing Jo Mihaly, she portrays a dancer who shares this avant-garde sensibility.
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The movement then becomes the result of the personal expression of the dancer whose photographer has the burden of seizing the fulgurance [dazzling speed]. Thus, it is as much for these artists to participate in an aesthetic revolution in their respective artistic fields as to echo the social and political uprisings that have taken place throughout Europe since the the advent of the industrial era. From the early s, Patrick Zachmann carried out an in-depth investigation into the Chinese diaspora. Present in China at the time of the events in Tiananmen Square, he photographed particularly symbolic episodes.
This picture, taken on 20 May, is located just after the beginning of the hunger strikes, and before the massive repression known as the Tiananmen massacre. This series of photographs of open mouths was immediately considered by Graciela Sacco as being intended to circulate in the public space on various supports stamps, spoons, stickers, posters ….